The work grew out of Berlioz's encounter with Goethe, one of the great influences -- together with Shakespeare -- on the composer's creativity. A hybrid composition which employs just four principal singers and a chorus, as befits a 'concert' setting, La Damnation de Faust is too theatrical to work in this guise -- and, alas, too impractical to be staged successfully. Nevertheless it remains an intensely dramatic piece: listen out for the violent orchestral outpourings of the Hungarian March as well as the 'Ride to Hell', which leads to a terrible vision of Pandemonium. Residing among the composer's most intense and thrilling music, the work features many ballet episodes and includes Marguerite's song -- one of the greatest French operatic scenes. 'Inbal has a fine ear for Berlioz's orchestration, matched by sensitive recording, so that time and again details spring into dramatic life...a distinctive and intelligent performance... No lover of the work should miss hearing it.' Gramophone, July 1991
- Recorded in 1989, when the great Israeli conductor Eliahu Inbal spent a remarkably successful and fruitful period in Frankfurt with its orchestra, resulting in several impressive symphonic cycles, notably the legendary complete Mahler Symphonies.Apart from the great artistic value of these recordings, the special one-point recording technique used by the Denon engineers is still a marvel of natural recorded sound.
- A superb release, formerly issued on the prestigious Denon label, of the "dramatic legend" La Damnation de Faust, written (both music and libretto) by Hector Berlioz, after the famous "Faust" of Goethe.
- Wonderful soloists: Maria Ewing, Denes Gulyás, Robert Lloyd and the young Christiane Oelze.
- Includes booklet notes on the composer and the music.