With The House of Meetings, Martin Amis may finally have written the novel his critics thought would never come. By taming his signature (and polarizing) stylistic high-wire act, Amis has crafted a sober tale of love and cynicism against the grim curtain of Stalin's Russia. The book's anonymous narrator--a Red Army veteran and unapologetic war criminal--and his passive, poetic half-brother, Lev, become pinned in a politically dangerous love triangle with the exotic Zoya, though their tactics (and intentions) are as divergent as their personalities. Swept up in the wave of Stalin's paranoid purges, the brothers are sent independently to Norlag, a Siberian internment camp where their respective fates are cast through their contrasting reactions to the depravity of the prison. Zoya and Lev share a night in "The House of Meetings," a room provided for conjugal visits with the prisoners, and the events of that night reverberate through the decades, the details of the liaison remaining concealed until the story's devastating denouement.