University of Minnesota history professor Weitz takes readers on a walk through Weimar Republic–era Berlin in the footsteps of a 1920s flâneur, an urban ambler. Wandering among cafes and department stores, Weitz notices the New Women, the jazz bands, the prostitutes, the beggars, the war wounded. He considers how radio and motion pictures changed public gatherings, internationalizing mass entertainment. Separate chapters, with a wealth of well-chosen illustrations, explore Weimar's new theories of architecture, graphic arts, photography, theater, philosophy and sexuality. Weitz selects key exemplars of each discipline—Brecht, Weill, Mann, Bruno Taut, Erich Mendelsohn, August Sander, László Moholy-Nagy, Hannah Höch, Siegfried Kracauer, etc.—for in-depth focus before turning to the backlash that their radicalism aroused. In his closing discussion of the collapse of the republic, Weitz elaborates on the right's resistance to modernization, as well as the overall fragility of the democratic spirit. A lively style and excellent illustrations make this intellectually challenging volume accessible to both academics and armchair scholars.